[That other someone? Has eyes wide enough to almost fall out of his head when he realizes he's sitting out in the open, trapped in some manner of restraints with a girl he doesn't even know.
Or actually he does know her. Of her. And Slevin realizes what, exactly, they're caught in the moment right before he rips it apart in panic. Instead he goes very, very still because honestly, causing a scene is only going to draw more attention, right? And attention is the opposite of what he wants.]
no subject
Or actually he does know her. Of her. And Slevin realizes what, exactly, they're caught in the moment right before he rips it apart in panic. Instead he goes very, very still because honestly, causing a scene is only going to draw more attention, right? And attention is the opposite of what he wants.]
Um.
Only in theory. Never in practice. Hi.